Skip to content
+

+

Your Regional Creative Source

  • Design
  • Visual Culture
  • Opinion
  • Arts
  • Education
  • Issues
  • About

Wu Yingli

Yingli is a candidate in the PhD in Design Management programme at Taylor's University. She is currently a lecturer at Jianqiao University in Shanghai, as well as a member of Zhejiang Artists Association of China, a member of Literary Critics Association, and ARTAND artist. The main courses she teaches in are: Introduction to Design and Chinese Culture. Her main research direction is Chinese graphic culture and mixed media painting. Yingli published the book Resurrection of Famous Paintings in 2016; and compiled the textbook History of Industrial Design. Below are some of her works: Published articles and exhibitions: Journal, China Association for Science and Technology Forum - Research on Problems in Art Design Teaching and Studio Operation Mechanism, 2022 Journal, Education and Social Sciences - The Application of Traditional Chinese Graphics in Contemporary Visual Communication Design, 2021 Interview, Newsweek - Mixed Materials Creation, 2019 Lecture, HOW Art Museum WENZHOU, 2019 Group Exhibition, Shanghai Meibo Art Center-Yihu, 2018 Solo Exhibition, Micro Art Museum, 2017 Journal, Wenzhou Education Issue 238, 2017
Wu Yingli
Opinion

The Role of Culture

by Wu YingliJune 7, 2022June 25, 2022
Continue Reading

kreatifbeats.com Follow

To share diverse views, local or regional knowledge related to creative disciplines and thought processes that are pertinent and pressing in SE Asia and S Asia.

kreatifbeats
kreatifbeats kreatifbeats.com @kreatifbeats ·
9 Feb

"NOMAD: Where Letters Find Their Own Way" by Nicole Ng

"I wanted to design a bold, fat typeface that screams “Look at me!” but in a polite way (if you get what I mean)."

Reply on Twitter 2020780034706026837 Retweet on Twitter 2020780034706026837 Like on Twitter 2020780034706026837 Twitter 2020780034706026837
kreatifbeats kreatifbeats.com @kreatifbeats ·
2 Feb

"Exploring Art Nouveau Through Experimental Typeface Design" by Caitlin Lung

"“I thought it was another letter.” Stylistic ambiguity w/out sacrificing readability was the goal ... so I had to make adjustments based on the feedback I received ..."

Reply on Twitter 2018314773319020803 Retweet on Twitter 2018314773319020803 Like on Twitter 2018314773319020803 Twitter 2018314773319020803
kreatifbeats kreatifbeats.com @kreatifbeats ·
27 Jan

"Blocky: Translating Handwritten Marker Strokes into Digital Type" by Tsen Ken Yee

"Even well-designed letterforms can appear unbalanced if spacing and kerning are not properly considered."

Reply on Twitter 2015973257409876124 Retweet on Twitter 2015973257409876124 Like on Twitter 2015973257409876124 Twitter 2015973257409876124
kreatifbeats kreatifbeats.com @kreatifbeats ·
16 Jan

"Letters in the Water: Designing Sünny" by Ahmed Saneeh

"I realized that the level of perfection I aimed to achieve required countless hours, days, and nights of careful refinements, many of which may appear insignificant at first glance."

Reply on Twitter 2012084757648310312 Retweet on Twitter 2012084757648310312 Like on Twitter 2012084757648310312 Twitter 2012084757648310312
Load More

+

Your Regional Creative Source

+

Copyright © 2021 Taylor’s University.
All rights reserved.

The Design School

The Design School
Taylor’s University

+

E-ISSN No. 2637-1111

+

Kreatif Beats

Troublemakers’ Assembly

Troublemakers' Assembly

The Design Asylum

Design Asylum

Mayamode

+

Supported by:

wRega

  • News + Events
  • About
  • Contact
  • KREATE
Proudly powered by WordPress | Theme: aquene by Themes Harbor.