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Vinod Nair

Vinod J. Nair is a Senior Lecturer at The Design School, Taylor’s University, Malaysia. He is an educator, designer and photographer that has plied his trade in the industries of Mumbai, India and Kuala Lumpur, Malaysia. He has over 20+ years of experience in teaching and learning. His interest are wide ranging and they involve type design, heraldry, general history and politics. He is often in conflict with the status quo and his projects are not only an outlet, but also an avenue to showcase his design solutions — these days they tend to relate to government agencies. Opinions expressed here are solely his own and do not represent the views or opinions of his employer or this site.
Vinod Nair
Graphic Type

JPJ 1: A Standardised Number Plate Typeface for Malaysia

by Vinod NairJuly 3, 2021October 23, 2024
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Graphic Type

A Standardised Number Plate Typeface for Malaysia: The Sequel

by Vinod NairFebruary 11, 2021October 25, 2024
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Graphic

Form and Movement in Publishing Design

by Vinod NairOctober 10, 2020December 13, 2023
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Graphic Social Design

An Anatomy of The Anatomy Series

by Vinod NairJune 2, 2020July 25, 2024
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Graphic

Thinking About Thinking: The Eportfolio

by Vinod NairJanuary 28, 2020December 13, 2023
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Opinion

Contemplating the Nature of Change in Institutions of Learning

by Vinod NairJuly 23, 2019July 20, 2021
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Graphic Type

The Forgotten Stencil Typeface

by Vinod NairFebruary 28, 2019December 13, 2023
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Opinion

Should Not The Aim Of Life, Be An Aim In Education?

by Vinod NairJanuary 6, 2019July 20, 2021
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Opinion

Should Creative Disciplines Be Evaluated Differently in Universities?

by Vinod NairSeptember 24, 2018July 20, 2021
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Sample Numbers for Standardised Number Plate Malaysia, Myno & Nomy
Graphic Type

A Standardised Number Plate Typeface For Malaysia

by Vinod NairAugust 1, 2018December 13, 2023
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To share diverse views, local or regional knowledge related to creative disciplines and thought processes that are pertinent and pressing in SE Asia and S Asia.

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kreatifbeats kreatifbeats.com @kreatifbeats ·
9 Feb

"NOMAD: Where Letters Find Their Own Way" by Nicole Ng

"I wanted to design a bold, fat typeface that screams “Look at me!” but in a polite way (if you get what I mean)."

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kreatifbeats kreatifbeats.com @kreatifbeats ·
2 Feb

"Exploring Art Nouveau Through Experimental Typeface Design" by Caitlin Lung

"“I thought it was another letter.” Stylistic ambiguity w/out sacrificing readability was the goal ... so I had to make adjustments based on the feedback I received ..."

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kreatifbeats kreatifbeats.com @kreatifbeats ·
27 Jan

"Blocky: Translating Handwritten Marker Strokes into Digital Type" by Tsen Ken Yee

"Even well-designed letterforms can appear unbalanced if spacing and kerning are not properly considered."

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kreatifbeats kreatifbeats.com @kreatifbeats ·
16 Jan

"Letters in the Water: Designing Sünny" by Ahmed Saneeh

"I realized that the level of perfection I aimed to achieve required countless hours, days, and nights of careful refinements, many of which may appear insignificant at first glance."

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