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Category: Opinion

Interior Design Opinion

Mystery, Mythology, and the Disagreeable Agreement

by Vickram ThevarOctober 15, 2020July 29, 2021
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Opinion

The Death of The Author

by Martin ChongSeptember 3, 2020July 29, 2021
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Opinion

Navigating Design School

by Mariyam Hanan As-adSeptember 3, 2020January 31, 2022
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Opinion

Stair-ing and Observing

by Sherry BlankenshipJanuary 24, 2020June 2, 2020
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Opinion

Collectivism, EQ and Creativity

by Anis IsmailJanuary 2, 2020May 31, 2020
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Opinion

Of Disruptive Technologies and Higher Education

by Mike ChoongSeptember 23, 2019November 20, 2019
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Opinion

On Modifying Oneself

by Jinchi Yip-EganAugust 20, 2019July 24, 2023
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Opinion

Contemplating the Nature of Change in Institutions of Learning

by Vinod NairJuly 23, 2019July 20, 2021
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Opinion

Making The Cut

by Jeffrey PatrickJune 11, 2019
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Opinion

Do Good Design: How Designers Can Change the World

by Sherry BlankenshipMay 27, 2019May 28, 2019
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To share diverse views, local or regional knowledge related to creative disciplines and thought processes that are pertinent and pressing in SE Asia and S Asia.

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kreatifbeats kreatifbeats.com @kreatifbeats ·
21 Aug

"Red’s Escape: Reimagining a Familiar Fairy Tale" by Rio Sato

"When I first started this project, I did not simply want to turn this fairy tale into a scary game [..] I wanted to distort its world ..."

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kreatifbeats kreatifbeats.com @kreatifbeats ·
10 Aug

"Between Highs and Lows: Designing an Emotional Reading Experience" by Zhou Yi

"What if your emotions were never stable? For me, this question is not only something I designed around, but something I personally understand..."

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kreatifbeats kreatifbeats.com @kreatifbeats ·
13 Jun

An Ode to Master Yuen Kheng Seng (1949–2026)

"We often sat at the mamak stall, talking endlessly about ideas. Yuen called these gatherings “Type Tarik Sessions.”

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kreatifbeats kreatifbeats.com @kreatifbeats ·
5 Jun

"When Letters Become Landscapes: Turning Typography into a Physical Experience" by Jovanna Tania Martindo

"What fascinated me was how both typography and topography rely on lines, spacing, and form to communicate something invisible."

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