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Graphic

Inducing Feelings — Exploring Liminality in Blade Runner 2049

by Seerat TayyabSeptember 6, 2022November 4, 2024
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Graphic Social Design

Oldest School ‘Badges’ of Malaysia: Revised (Part I)

by Vinod NairAugust 28, 2022June 10, 2025
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Social Design UI & UX

Unblank: An Application For Overcoming Writer’s Block

by Kyra HamzahAugust 23, 2022September 17, 2022
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Illustration

The Seven Deadly Sins of the Malaysian Society

by Atiqah FarzanaAugust 15, 2022September 17, 2022
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Uncategorized

The Value of Things From a Bygone Era

by Jinchi Yip-EganAugust 4, 2022January 27, 2023
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Opinion Social Design

Celebrating Ildefons Cerdà: Beyond the Topography of a City

by Natasha MHJune 25, 2022August 4, 2022
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Opinion

The Role of Culture

by Wu YingliJune 7, 2022June 25, 2022
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Interior Architecture

Unveiling The Veil

by Aishah MokhtarMay 25, 2022May 28, 2022
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Graphic

Digestible Content — A Failure or the Future of Graphic Design?

by Seerat TayyabMay 10, 2022November 4, 2024
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Graphic Type

Creating A Font with Font Forge

by Rhyanne C. LoweApril 19, 2022August 26, 2024
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To share diverse views, local or regional knowledge related to creative disciplines and thought processes that are pertinent and pressing in SE Asia and S Asia.

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kreatifbeats kreatifbeats.com @kreatifbeats ·
8 Dec

"The Great UX Design Clash: Typography, Super Apps, and the Myth of Universal Principles." by Razif Mohamed

"[...] typography has never been a decorative option. It is the structure that holds a digital product together."

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kreatifbeats kreatifbeats.com @kreatifbeats ·
2 Dec

"The Ventriloquists" by Azriq Anwar

"From waging wars to crybabies on television, there are just countless things that can be voiced out about. Therefore, this publication was my attempt in showing what some of those are like."

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kreatifbeats kreatifbeats.com @kreatifbeats ·
12 Oct

"Milky Way & Mononaro: 2 Typefaces Rethinking Lettering for Malaysia’s Highway Signages" by Chang Wing and Daphne Lai Yu Cheng

"..Instead of minding their own business, they poked at it—questioning whether this decades-old design cld actually do better"

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kreatifbeats kreatifbeats.com @kreatifbeats ·
29 Sep

"Kura: Crafting Comfort in Structured Letterforms" by Feilycia Joy

"By coincidence [..] I began designing a font for a matcha brand [..] It felt natural—& efficient—to merge the 2, creating one typeface [..] fulfill both academic and real-world needs."

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