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A Winter Adventure Along the Rhine

by Anis IsmailAugust 15, 2024October 20, 2024
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Social Design Type

EasyRead – A Typeface for Dyslexia

by Caitlin OngJuly 26, 2024July 28, 2024
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Graphic Type

Crafting A Cat Typeface

by Chong Hui YiApril 16, 2024September 17, 2024
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Opinion

The ‘R’ of Terror: The Alphabet Malaysia Fears

by Tan Zi HaoApril 7, 2024September 17, 2024
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Graphic Type

Type On Pitch: Typeface Design For Harimau Malaya

by Wan Qing ChanFebruary 21, 2024August 23, 2024
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Graphic Type

Crafting Roanu: A Maldivian Script Typeface

by Hussain WaheedJanuary 18, 2024August 23, 2024
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Project Ilmu Visual logo in the form of a coat of arms.
Social Design

Project Ilmu Visual: A Visual Literacy Workshop

by Vinod Nair, Jinchi Yip-EganJanuary 16, 2024December 19, 2024
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Graphic

A Persistent Existence—An Exploration of Becoming

by Seerat TayyabDecember 20, 2023April 16, 2024
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Game Design Illustration

Pasaroly: Translating the Pasar Experience to a Board Game

by Phobie NgNovember 21, 2023January 29, 2024
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Game Design

Pólemos: A Greek Mythology Deck Building Game

by Patricia Aileen PrasetyoOctober 29, 2023April 16, 2024
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To share diverse views, local or regional knowledge related to creative disciplines and thought processes that are pertinent and pressing in SE Asia and S Asia.

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kreatifbeats kreatifbeats.com @kreatifbeats ·
8 Dec

"The Great UX Design Clash: Typography, Super Apps, and the Myth of Universal Principles." by Razif Mohamed

"[...] typography has never been a decorative option. It is the structure that holds a digital product together."

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kreatifbeats kreatifbeats.com @kreatifbeats ·
2 Dec

"The Ventriloquists" by Azriq Anwar

"From waging wars to crybabies on television, there are just countless things that can be voiced out about. Therefore, this publication was my attempt in showing what some of those are like."

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kreatifbeats kreatifbeats.com @kreatifbeats ·
12 Oct

"Milky Way & Mononaro: 2 Typefaces Rethinking Lettering for Malaysia’s Highway Signages" by Chang Wing and Daphne Lai Yu Cheng

"..Instead of minding their own business, they poked at it—questioning whether this decades-old design cld actually do better"

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kreatifbeats kreatifbeats.com @kreatifbeats ·
29 Sep

"Kura: Crafting Comfort in Structured Letterforms" by Feilycia Joy

"By coincidence [..] I began designing a font for a matcha brand [..] It felt natural—& efficient—to merge the 2, creating one typeface [..] fulfill both academic and real-world needs."

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